31 ago 2011

jose luis guerin - souvenir (1986)


Título: Souvenir
Director: José Luis Guerín
Año: 1986
Duración: 04:46
Color: B/N
País: España

"Tres años después de su debut con Los motivos de Berta, José Luis Guerín realizó este cortometraje donde dejó patente su predilección y amor incondicional por el cine de ensayo. Una pieza que destaca por su carácter esencialmente visual, su lenguaje reflexivo y poético, y su estilo claro y sencillo. Las mismas señas de identidad que después aplicaría e iría depurando hasta el extremo en largometrajes como Innisfree, Tren de sombras o En construcción."

Tomado de Blog Metraje Encontrado

29 ago 2011

Cash rules everything around me - Dan Tangue

 The hidden messajes in Dollar notes
Los mensajes ocultos en billetes de dólar







American, b. 1974
lives in New Orleans, Louisiana
Taken from /Tomado de la Web: http://dantaguestudio.com/

23 ago 2011

Cristina Calderón: La dueña del fin del mundo


Cristina Calderón: La dueña del fin del mundo from PortalPatrimonio on Vimeo.
Este vídeo fue escrito y dirigido por Hans Mulchi B.
Producción CNCA - Área de Patrimonio Cultural - Chile

 __________________________________

Buscando a Cristina Calderón /
In Search of Cristina Calderón

September 15, 2006
by Pablo Helguera
For some reason related to the poetic symmetry of fate, it is fitting that the last speaker of the Yhagan language would live in the southernmost village of the world. The Villa Ukika, with population of 51, is an indigenous village located South East of Puerto Williams, a Chilean village that is in turn South of Ushuaia. Puerto Williams has a population of 3000. It was originally a naval settlement, and the officers of the Chilean navy appear to still constitute the main population here.
The search for Cristina Calderón turned out to be a feat no less challenging than the search of Marie Smith Jones in Anchorage. Having been in touch via email for several months with her granddaughter, who promotes the knowledge of Yaghan language and culture, I had only obtained spotty and vague information as to the whereabouts of “La Abuela” (“Grandma”), as she is known here. When I arrived to Ushuaia, I only knew that she lived in Puerto Williams, which is 20 km. away by crossing the Beagle channel. I did not know, however, that transportation between Ushuaia and Puerto Williams is practically nonexistent at this time of year. I also was not certain to find La Abuela once I managed to cross. But there was no other choice but to try.
I finally managed to hire a transportation in a little rubber boat that crossed me, along with two Australians, to the Isla Navarino in Chile, where Puerto Williams is located. We crossed amidst snow and the frigid wind on the boat that jumped on the waves as if we were horseriding. We had to make an appointment with two immigration officers that met us at Puerto Navarino (an otherwise deserted spot) in order to get our passports stamped (once again). From there, a van took us to the other side of the island, through a dirt road (there are no paved streets or highways here), crossing snow and sleet, until we finally reached our destiny.
I walked into Villa Ukina, which has a spectacular view to the sea and the mountains. The house of La Abuela was in the center of the village. Cristina herself opened the door, and to my relief, knew who I was. But he asked me to come back at 3pm, and with her slight Chilean accent added: “but also you should know that I charge for interviews”.

READ THE REST OF THE ARTICLE AT:
http://www.panamericanismo.org/

Web de The School of Panamerican Unrest / La Escuela Panamericana del Desasosiego

2 ago 2011

Hands on Paper - Recycled phrases poems in 2011 calendar








"A calendar featuring texts taken from an English coursebook. The short textual extracts become poems to digest month to month.
DIN A 4, 14 pages, cardboard, b/w laser printed, wire binding, edition of 50.
Edited by: Einer von uns beiden, 2010.
Source: English Course, Linguaphone Institute, Limited, London, 1996."

1 ago 2011

A Day With the Boys - corto de ficción de / a short film by Clu Gulager (1969)

Part 1:

Part 2:

A DAY WITH THE BOYS
Universal Pictures
Director/Producer/Screenwriter: Clu Gulager
Cinematography: Laszlo Kovacs
Cast: Ricky Bender, Artie Conkling, William Elliott, Jack Grindle, John Gulager, Mike Hertel, James Kearce, John McCaffrey, Mark Spirtos, Craig Williams
 

30 jul 2011

Pop-Art Graffitti Intervention and Turbo Sculpture History (en inglés)

Red Army monument Pop-art intervention - Sofia, Bulgaria
Unknown Graffitti Artists
Watch this as an interactive panoramic view CLICK HERE

Text taken from The Daily Mail online version:
"Twenty years ago you would have been shot for stepping too close to this monument in Sofia in Bulgaria.
But after the smashing of the Berlin Wall, statues celebrating communist rule appear to be fair game to the graffiti artists of the former Soviet block in Eastern Europe.
An anonymous artist transformed Russian Red Army soldiers from a monument in the city of Sofia, in Bulgaria, into popular superheroes and cartoon characters.
Taking centre stage is Superman with his distinctive red cape and blue suit. To the left is Santa Claus and to the right Ronald McDonald, the mascot of the fast-food giant McDonalds, and the Joker also makes an appearance.
Below the graffiti artist has sprayed "Moving with the times" in Bulgarian black paint. The "artistic vandalism" appeared this morning - but it is still not clear who is behind the colourful display".

Read more: http://www.dailymail.co.uk/news/article-2004814/Is-bird-Is-plane-No-Superman-friends-painted-Soviet-statue-Banksy-Bulgaria.html#ixzz1TZw9Jeox



Three pictures taken from http://urbanshit.de

RELATED SUBJECT: VIVE LE POP!
The History of Turbo Scupture in ex-Yugoslavia:

Turbo Sculpture (English) from A.D. on Vimeo.
Video by Aleksandra Domanovic

25 jul 2011

Artavazd Pelechian -- The End (1991) and Life (1993)


"Considerado por Jean-Luc Godard como unos de los cineastas vivos más importantes de nuestro tiempo, Artavazd Pelechian es, no obstante, un autor poco conocido quizás por su corta producción en número (apenas quince películas) y formato (básicamente, cortos y mediometrajes). Catalogado como documentalista experimental, en The End, su última película, filma en silencio a hombres y mujeres de diferentes edades y etnias en el recorrido de un tren de Moscú a Ereván."
Fuente del texto: http://metraje-encontrado.blogspot.com/


"The filmmaker works with his images as if they were a musical score. Around a central theme, he orchestrates variations and modulations that create an impression of a flood of private images arriving from beyond the frame. Pelechian is making a name for himself as a montage filmmaker who tends to inscribe in his works the movement of the world and history. His films are odes, even symphonies that speak about humanity, nature and the cosmos. Man is often seen contending with a strong, encompassing nature that guides, transports and protects him. Pelechian speaks to us about humility and our connection with time. Artavazd Pelechian has been practicing a method of film construction he refers to as «distance montage» since the 60s, in films using either found footage, Our Century or original material, The Seasons. In the early 90s, Pelechian made two spiritual films which are among his simplest and most beautiful productions: The End (1991) and Life (1992), Pelechian's first colour film. Where The End looks towards death, Life is about a birth, consisting mainly of views of a young woman's face in the throes of labour, her heaving body in its hospital room seen as a changing landscape. Two shifts take place: the child is born and the camera shows us this new life; then, in a final shot that re-orders the entire film in retrospect (like the final shot of Pelechian's earlier portrait of peasant life, The Seasons), we see mother and child, faces side-by-side perhaps a year later, mirrors of one another save for the difference in age."

20 jul 2011

Robert Montgomery - BILLBOARD PIECES

"London poet/artist Robert Montgomery has been at work since 2005, hijacking city billboards and public areas of interest guerilla style to display his poetic works of art. Montgomery’s series of billboards that appear in big cities here and across the pond showcase his poems, that border on melancholy yet thought provoking themes."
(Taken from: http://stupiddope.com)